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- May 25, 1987The All-American Love GoddessRita Hayworth: 1918-1987
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-
- She had a perfect figure and a smile that could light up the
- Statue of Liberty. But the feature that most people will
- probably remember is her hair, whipping seductively around her
- in Gilda, cascading over her shoulders on the cover of LIFE and
- in thousands of World War II pinup posters. If Jean Harlow was
- Hollywood's love goddess in the '30s and Marilyn Monroe in the
- '50s, the '40s ideal was Rita Hayworth, who died at 68 last week
- in Manhattan of complications from Alzheimer's disease.
-
- She never had to claw her way into show business. As Margarita
- Cansino, a member of a famous family of Spanish dancers, she
- was dancing 20 shows a week professionally when she was in her
- early teens. Her father made his daughter his partner, and dyed
- her brown hair black in an attempt to make her look more Latin.
- Precociously alluring as well as arrestingly attractive, Rita
- soon found a place in such B-grade movies as Under the Pampas
- Moon (1935). At 18 she married Edward Judson, a sometime auto
- salesman who at once saw what was wrong: her real appeal was
- not Latin but all-American. After lightening her hair, he
- introduced her to Harry Cohn, the shrewd, tyrannical head of
- Columbia Pictures, who substituted her Irish mother's surname,
- with a slight variation, and inserted young Hayworth into her
- first important picture, Howard Hawks' Only Angels Have Wings
- (1939).
-
- Offstage, Hayworth was--and was to remain--shy, unassuming and
- almost passive. But something magical happened when the cameras
- began to roll; her vitality warmed the set. "I don't really
- think she knew how intensely sexy she seemed to others," said
- Hawks. Hayworth was sweet and lovable in cover Girl (1944), but
- she was also the timeless temptress in Gilda (1946), doing a
- wild rendition of Put the Blame on Mame for Glenn Ford, as well
- as Fred Astaire's exquisitely gracious partner in You Were Never
- Lovelier (1942).
-
- Hollywood has decreed that love goddesses never find lasting
- love, and Rita's marriages unreeled like so many bad movies.
- After her 1943 divorce from Judson came Orson Welles, but
- "Orsie," with whom she had a daughter Rebecca, was devoted
- mostly to Orsie. "I'm tired of being a 25% wife," she later
- said. In 1949, with the whole world looking on, she wed the
- playboy Aly Khan, with whom she had her second daughter Yasmin.
- The match lasted only two years, but she remembered him fondly:
- "The world was magical when you were with him." There were two
- more marriages (to Crooner Dick Haymes and Producer James Hill),
- neither happy. "They fell in love with Gilda and woke up with
- me," was her rueful commentary on her men.
-
- In the '50s her career began to fade. Though she had proved
- herself a capable actress, she was given few parts. She began
- to look tired, and a line from Fire Down Below (1957)--"Armies
- have marched over me"--seemed sadly appropriate. By the early
- '80s, Alzheimer's disease was diagnosed, and Yasmin, who has
- been active in raising funds for Alzheimer's research, was
- appointed her conservator. Hayworth was perhaps the best judge
- of her life. "I haven't had everything from life," she once
- remarked. "I've had too much."
-
- --By Gerald Clarke
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-